Tagged with music (other)

found: 1991.

We’re a few days away from our annual Groundhog Day shindig, and while I have to be careful about revealing too much about our activities, I can tell you I’ve spent a little time looking for old Hawaiian steel guitar music for the weekend.

I found a bunch of cool stuff last night, but that got me thinking about a song that I’ve tried unsuccessfully to find since the early 1990s. I had always been taken by one particular clip that appeared on MTV’s excellent Liquid Television series — the animated clip itself is a little dark, but the music, an old Hawaiian song with acoustic steel guitar playing underneath falsetto vocals, always blew me away.

I’d tried to find it before, but without knowledge of the name of the song or the  clip, my searches never went far. Last night, though, I was determined, going through a list of random Liquid Television clips on YouTube.

On the third page of the search results — there. Black Hula. That had to be it.

Whoever posted it also helpfully named the song: “Mauna Kea,” by King Bennie Nawahi. I quickly found the song on emusic and as a bonus, I downloaded the entire record, which will be fabulous addition to this weekend’s soundtrack.

And I have solved a mystery that’s been bugging me for nearly 20 years.

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80. for all a yinz guys.

This is how we do it in Pittsburgh. Merry Christmas, everyone.

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51. my ipod is a liar.

I’ve been tagged two or three times to participate in the Facebook Shuffle List game — most recently by my friend Chris, generally known here as Grandpa — so it’s probably about time I break out the iPod and find out what it says about me.

And what I found out is that my iPod lies. I gave it 25 chances and it didn’t give me a single Grateful Dead song. Despite the fact that it holds literally hundreds of Grateful Dead songs from 27 different albums, concert recordings, playlists and compilations, it gave me just one Dead-related song, a Garcia/Grisman number as time was running out.

That egregious omission aside, the list my iPod gave me is a pretty good representation of what I listen to on a regular basis. And yes — I am a dirty stinking hippie, just as you’ve suspected all along.

1) “Just So You Know,” Railroad Earth, Tupelo Music Hall 4.17.08. I have a concert recording where someone introduces Railroad Earth as “country and eastern,” which is a pretty good description of the bluegrassy jamband.

2)  “Sigur Ros,” Sigur Ros, Von. Sigur Ros might be my favorite band to listen to when I’m driving home from a late night at work. They’re weird enough that I can’t really imagine listening to them when it’s still light out.

3) “Backwards Down The Number Line,” Phish, Festival 8 10.31.09. Great song from Joy that opened up even further once they started playing it live.

4) “Catapult,” Phish, Camden 8.12.04. From the show that, at the time, was to be our last one before the “retirement.” We saw a very good show at Camden; the folks who slogged through the mud to get to Coventry the following weekend probably couldn’t say the same thing.

5) “Running Away,” Bob Marley and the Wailers, Stanley Theater 9-22.80. Great show from what is now the Benedum Center in downtown Pittsburgh.

6) “I’ll Be You,” The Replacements, Don’t Tell A Soul. A college friend of mine tried over and over to get me to see the beauty in The Replacements; of course, I didn’t get it until many years later — and many years too late.

7) “Help,” the Beatles, Love. This is a fun record. It was produced by George Martin to serve as a soundtrack for Cirque du Soleil’s Beatles-themed Las Vegas show. It plays as a single mashup of Beatles tunes, fading and mixing with each other for more than an hour.

8) “Tumbling Dice,” Phish, Festival 8 10.31.09. For their 2009 Halloween show, Phish selected the Rolling Stones’ Exile on Main Street as their costume, playing, as they do, the album in its entirety. Exile was a good cover for them, but, as I’ve mentioned previously, this year’s cover of Little Feat’s Waiting For Columbus might have been their best ever. That this popped up is significant for a couple of reasons — first, I’ve maintained for a long time that Exile is the best rock ‘n roll album ever recorded, and second, HOW DID MY iPOD NOT INCLUDE ANY STONES SONGS?

9) “Muzzle of Bees,” Wilco, Rochester 12.6.08. I tend to rotate Wilco shows on and off my iPod frequently, but this one, a nice matrix recording (a mix of soundboard and aud recordings) is too good to remove. A side note: I am apparently incapable of typing the word “bees” without trying to type the word “beer” first.

10) “Weehawken Ferry > Rachel > Weekhawken Ferry,” Assembly of Dust, Gathering of the Vibes 8.18.06. A smoking combo by AOD at our one and only Gathering.

11) “I’m A Wheel,” Wilco, Riviera Theater 2.20.08. Back in February 2008, Wilco set up for a week at Chicago’s Riviera Theater for a five-show residency, during which they promised to play every song they’ve recorded at least once. Of course, I grabbed recordings of each one.

12) “Casino Queen,” Wilco, AM. C’mon — you’re not really surprised that so many Wilco songs are showing up here, right?

13) “Runaway Jim,” Phish, Saratoga 6.19.04. I’ve never been so unhappy at such a good show. This is the one that was such a pain in the ass that Mrs. Crappy and I sold our tickets to the second night so we could have a relaxing day in Saratoga and a relaxing night at our camping spot north of town.

14) “Rebirth of Slick (Cool Like Dat),” Digable Planets, Reachin’ (a new refutation of time and space). There isn’t a ton of hip hop on my iPod; this record has been there for a while, though, and it’s not being removed any time soon.

15) “Kid Charlemagne,” Steely Dan, A Decade of Steely Dan. I’m old. So what?

16) “Lady Madonna,” the Beatles, Love. I have other Beatles records on the iPod, honest.

17) “Pick Up The Pieces,” Average White Band, Average White Band. A nice bit of 1970s funk.

18) “Untitled,” Mad Professor, Dub Me Crazy. You youngsters might not be aware, but the the music you’re listening to these days — thinking hip hop in particular, or even the excellent Girl Talk record All Day release just last week — is a direct descendant of the cutting, pasting and looping mastered by Jamaicans like Lee Perry, King Tubby and the Mad Professor. An even better compilation to check out is Dub Chill Out.

19) “Machine Gun,” Portishead, Third. Weird is good. Weird and cool is even better.

20) “Handshake Drugs,” Wilco, Mershon Auditorium 10.12.09. From my birthday Wilco show in Columbus a year ago. Handshake dissolved into “Wishful Thinking,” leaving me both stunned and overjoyed.

21) “Swing,” Keller Williams, Mr. Small’s Funhouse 11.19/20.04. This is a beautiful cover of an Ani DiFranco song by Keller, as it appeared on the DVD Sight, which he recorded at Mr. Smalls.

22) “I Am Trying To Break Your Heart,” Wilco, Kicking Television. This is the song that really got my attention when we saw Wilco for the first time at the arts festival show in 2004. It’s still one of my favorites.

23) “Working Out Words,” The Diableros, You Can’t Break The Strings In Our Olympic Hearts. One of the best things I’ve received from satellite radio is access to The Verge, a station that plays stuff from Canadian indie bands. It’s consistently better than XMU, and I’ve padded out several playlists with songs from artists, like the Diableros, I’ve discovered while listening.

24) “Shady Grove,” Jerry Garcia and David Grisman, The Pizza Tapes. A great song on a great record, but really, iPod? This is all the Dead you’re going to give up? Really?

25) “The Neighborhood,” Los Lobos, Bimbo’s 3.26.09. Perhaps the worst hole in my concert resume — I still haven’t ever seen Los Lobos. I hang my head in shame.

That’s it — that’s the list. I’ve mentioned the omissions of the Grateful Dead and the Rolling Stones; my iPod also failed me when it comes to Radiohead, the Flaming Lips and an awful lot of jazz. But overall, this isn’t a bad representation of what’s playing in my car at any given hour.

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31. always handy with a song.

I started talking with Dr. Yohe about the possibilities for Phish’s Halloween costume a couple days ago, when I found out he was in Atlantic City for the run (and for a fortuitously timed wedding Saturday night). His hope was for a Led Zeppelin album, but among the picks he mentioned was Little Feat’s Waiting for Columbus, a double-live record I picked up long enough ago that I was still buying actual records.

(A note: Phish has a long-standing tradition of donning a musical “costume” when it plays a Halloween show, meaning the band covers an entire record by someone else during the course of the night. I think the first was the Beatles White Album, and they’ve also done Talking Heads’ Remain in Light and, a year ago, the Stones’ Exile on Main Street, which is still my pick for the greatest rock ‘n’ roll album ever. In 1998, there was even a bonus — the speculation was rampant that Pink Floyd’s Dark Side of the Moon would be the choice; two nights after playing the Velvet Underground’s Loaded on Halloween night, they played Dark Side as a surprise in Salt Lake city.)

As we watched Saturday’s set list roll by, it became pretty obvious from the number of Zeppelin covers that a Zeppelin costume wouldn’t be the choice. Dr. Yohe was a little bummed about this, but as the band kicked off Waiting for Columbus on Sunday night, he seemed to come around.

I got to listen too, because of a quirk in my work schedule that had me in the office late because of the night Stiller game and a juicy audio stream, thanks to the folks at Hoodstream. So as Dr. Yohe’s tweets became more and more enthusiastic, I was listening along to the horns and Page’s excellent keyboard work.

There are other things I could have done to celebrate Halloween this year — I had my annual “ohgodiwishiwasinathens” pangs on Saturday morning — but this wasn’t bad at all. In fact, it was almost as good as listening to the opening notes of “Dixie Chicken” while rolling into Memphis for the first time.

And as he handed me a drink, he began to hum a song. And all the boys there, at the bar, began to sing along…

Happy Halloween, y’all…

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26. say it.

Starting pretty much as soon as I was able to drive, we had a routine on those Saturday nights when there wasn’t much going on. Around 11:15, we’d show up at the Big Bear grocery at Graceland Shopping Center, walk to an aisle in the center of the store and each buy a bag of rice.

We’d then drive to the back of the center to the movie theater, where a crowd had always started to gather for the weekly screening of Rocky Horror Picture Show.

I’m not saying I didn’t have much of a social life while in high school, but I did end up seeing those midnight screenings — always preceded by Meat Loaf’s “Paradise by the Dashboard Light” and Tim Curry’s “I Do The Rock” — somewhere around 75 times. I got to be pretty good with the callbacks, and I got to know a few of the other people who showed up even more than I did.

We had it easy, because until it closed a few years ago, the Graceland Twin held the record for the longest-running showing of the movie in the United States. By the time I started seeing the movie in the mid-80s, it didn’t look much like this, but there were still people who dressed for the show, and once in a while we got a full shadow production underneath the screen.

I’ve seen it just once or twice since then, and my memory of the lines — and the responses — was still pretty good. When RHPS was the theme of tonight’s episode of Glee, my subconscious started pulling up those lines again, even though its been at least 20 years since I’ve seen the movie in a theater. And I’m wondering — when we see it on stage at Carnegie Mellon next weekend, is it appropriate to yell responses? If not, I’m going to need to see it in a theater again. Soon.

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15. how i feel.

I don’t mean to say I feel like going down to the river and killing someone. But this melody is always exhilarating to me.

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