food for thought.

I’ve got a ton to say about last night’s Phil show — mostly along the lines of “Holy Shit!” — as well as what it means in the context of the current Internet Archive issues. While I’m working on that, here’s some other stuff to consider.

New York Times story that ran today.

Rolling Stone web page story from a day or two ago.

The apparent reaction of GD lyricist John Perry Barlow, on

There may be even more stuff available on the wire, but I’ll have to check that when I get to work today.

Finally, there’s an update, dated today, posted on Phil’s web page. And Phil does as nice a job of any I’ve read in describing how cool the archive was.

in the end there’s just a song.

Things are a bit tense in GratefulDeadLand, thanks to an interesting decision, apparently by the band, about a week ago.

You’ve heard me babble about, the site that had made available for download nearly every Grateful Dead show ever. I had a blast looking up all the shows I attended and finding copies of some classic shows as well.

And now it’s over. The band removed all soundboard recordings from the archive and stipulated that audience recordings be available only as streaming audio. No more downloads of any kind. Click here for the announcement from the folks at the archive.

While you’re there, check out the initial response, which was moderated because it apparently contained a death threat, against Deborah Koons Garcia I’m guessing. Keep reading. It’s pretty ugly. As I read through the vitriolic responses — people saying they’re going to boycott GD merchandise, concerts and music from now on, saying greed is driving the band — I actually got a little embarrassed for all of us. There’s a change that has an immediate effect on the community — and granted, not a good one — but what gets lost is the years and years of great stuff we got from these guys.

Let me be clear. I’m not happy about this either. I had some bad experiences trying to trade for tapes back in the old days, and the Archive was a way for me to achieve my biggest goal, which is to have a copy of the shows I attended. I hadn’t gotten through the list yet, and unless the band just opens up the vault for all, it looks like I won’t get there, at least for a while.

I have to admit that I have some difficulty with the removal of auds, as opposed to the soundboard recordings. As I’ve poked through the Archive, I’ve come across several bands that don’t permit downloads of soundboards — Ratdog, moe., Bela and the Flecktones, all take that course — because they could be competing with themselves if they choose to release live music in the future. In most cases, the audience recordings aren’t the same thing.

So, yeah, it’s upsetting. I may in the future have the option to purchase downloads of the shows I’m missing, and that would be OK with me. It’s their music and they have the right to make a living from their work, and the big thing I want is to complete my collection.

David Gans, the Deadhead who’s made a career with his syndicated Grateful Dead Hour radio show, makes a similar point about the change on his blog: If the Dead moved to protect their business interests, who could argue that that’s a bad decision? It’s inconvenient for us, yes, but it belongs to them. Gans also said that the band has had to lay off a bunch of long-time employees, most notably Ram Rod, a member of the crew who’s been there since the very beginning. Things apparently aren’t good in Novato either.

There are some other points to be made.

@ I do have a problem with one of Gans’ arguments. He said downloading concert recordings goes against the notion that trading tapes helps form a community among the band’s fans. He’s right on, and he’s not the only one who thinks so. After I discovered Widespread Panic last summer, I did some cruising around on their web pages and found, in their taping policy, that they prohibit downloading situations because it doesn’t further the community of Panic fans. And it’s hard to argue with that logic.

Here’s my beef with this one. In an ideal world, the tapers would be open to anyone, within reason, who has something to trade. They’d also make an effort, within reason, to help those who didn’t have anything to swap get started. The problem is that it didn’t always work that way. Too often — in the majority of cases, I found — the people who had the tapes got too hung up on the power they had over others. If you are able to work something out, you still get a bunch of attitude in return. It’s hard to foster the growth of a community when the people with the power are being dicks.

@ I read a couple different arguments that legal action could successfully be taken against the band, for a couple of reasons: One, that the band, specifically Garcia, entered into a verbal contract when he said that the music belongs to the fans once the band is done playing, and two, that the band stole the work of people who made the audience recordings that are now unavailable.

OK. I’m not an intellectual property attorney, but both of these arguments sound completely off-base. The Garcia quote is what it is, but the band has always maintained its rights when it comes to concert recordings — they cannot be exchanged for commercial gain of any kind and, in the digital realm, websites that offer trades or downloads cannot also have ads present. And, they always said. we’ll go after anyone who violates these rules. And they have, as anyone who has witnessed a parking-lot bust of T-shirt vendors can attest.

Theft? Of what? Someone else’s intellectual property is what. And that’s not theft, boys and girls. That’s like saying you can copy something from Uncle Crappy, post it on your own web page and call it your own. If you wants to quote me, or another blogger, or Shakespeare for crying out loud, you can do so, but it doesn’t make it yours. Kewyson? Any thoughts?

@ Here’s an unanswered question: If the band is suffering financially as Gans told us, wouldn’t have things been helped by a tour this summer? Granted, it’s not the old days when they could sell out Buckeye Lake in an hour, but a well-run tour in smaller venues would have to be a money maker. Are things so bad within the band — between Bobby and Phil, I would have to guess — that we couldn’t put that together?

@ I also think the band could help this situation immensely by offing a simple explanation on its web page. You know, something like, “Here’s what we did, here’s why, and here’s what’s going to happen next.” I’m not sure they owe us anything, but a little communication would make a lot of us feel better.

@ And that brings me to a rant I’ve been sitting on for a loooooonnnng time. While reading through all this crap, I came across some shining examples of what I’ve always felt is the dumbest things about being a Deadhead: A continuing stream of negativity about what the band is doing now, especially when you compare it with what the band was doing in, well, go ahead and pick your favorite year … 1971, 1974, 1977, 1985, etc. Here’s the attitude I got when I started seeing the band in 1984: “Yeah, this is nice, but you should have seen those ’77 shows … that was the real Grateful Dead.”

If Uncle Crappy and Juan and Carolina Boy had followed that logic, we would have hung it up after our first show at Blossom in the summer of 1984. Why bother, right? It’s not going to be as good…

Except that I saw plenty of life-changing music in the dozens of shows I attended after my first. I’ve listened to the tapes from ’71 and ’74 and ’77, and I understand that in a technical sense, the best of what I saw isn’t as good. But should I have skipped all those other moments I now cherish because Garcia didn’t play as well in 1990 as he did in 1977?

Um. Sorry. That’s just stupid.

This carries over to today’s versions as well. If you get too excited about Ratdog or a Phil and Friends show (like the one I’m attending in Pittsburgh tomorrow), you get reminded that, well, it’s not the Grateful Dead. If you try to tell people about how much you enjoyed the shows the remaining four put together from 2002 through 2004, you hear stuff like how much Herring sucks and Warren can’t play and who let that Joan Osborne chick onstage… it’s not Garcia, right?

Well, fucking duh. No one in his right mind would compare The Dead with the Grateful Dead. No one is comparing Herring or Haynes to Garcia. You have to take those experiences for what they are; if you look at them in any other context, you’re never going to be happy, and isn’t being happy what this whole thing is about? When I interviewed Warren last year I asked him about the two prominent slots he holds in two prominent bands, those of Jerry and Duane Allman, and he said he’d be crazy to even think about it … he’s not there to replace Jerry or Duane, he’s just out there to play. And he does well in both instances.

If you spend all of your time and energy bitching about how bad things are now, you’re going to miss out on a lot of good stuff. I wasn’t going to Dead shows in 1977, mostly because I was 10 years old. Yes, I missed some great music. Does that mean the shows I saw in 1985 or 1990-1 or even the occasional great show I saw in 1993 or 1994 weren’t worth the paper the ticket was printed on? Of course not. If you’re that miserable about the current state of GratefulDeadLand, stay home with your tapes and your shitty attitude. The rest of us who are still having fun won’t miss you a bit.


Uncle Crappy’s a little tired of deleting comments about Canadian immigration, Viagra and finding interest-free credit. So we’re trying something new.

If you’ve ever bought concert tickets online, you’ve used Ticketbastard’s Word Verification feature, the thing where you see a randomly generated word that you have to first type into a box before you proceed. Now, to leave a comment on Uncle Crappy, you have to do the same thing.

It’s an extra step, yes, and I hesitated to do anthing that might keep actual human beings from commenting … because the comments are the best part. But I have no interest in allowing Uncle Crappy to be turned into a fucking billboard.


@ When a group of citizens gets together because they’re concerned about something, how come they can’t ever come up with a better name than “Concerned Citizens of (Insert town name here)?”

@ Punkin Ale from Dogfish Head is the best pumpkin beer I’ve ever had.

@ And I intend on having several more.

@ Tonight.

@ I love October baseball. Even if it’s still September (but is starting to feel like October…).

@ My birthday is in 15 days. 39. Holy crap.

@ I’m hoping I’ll finally get an iPod. That would help.

@ It’s trash night, and The Wife just asked if I’d mind taking care of the trash. I said, “Are you sure that’s the question you want to ask?”

@ It wasn’t.

@ If you’ve done something bad and you don’t want to see it in the local newspaper, probably the last thing you should do is call a reporter and tell him about it.

@ It’s even worse if you tell the reporter he’d ruin your life if he writes something. And then you proceed to threaten the reporter. “Yeah, it’ll be in as soon as possible, fuckwad, because I’m not the idiot who got drunk and tried to buy a blowjob.”

@ is the coolest web site ever, perhaps behind only the internet archive. I mean, check this shit out…

@ This is a good weekend to have no meaningful football. I can think about something else for a change.

@ Like, say, baseball.

@ Or the fabulous anniversary dinner I’m going to make for The Wife on Friday.

@ Time to go — I promised The Wife I’d take the trash out before I went to bed.

@ I just didn’t promise I’d be happy about it.

the cat ate my homework.

Apologies to Anne, who tagged me for this last week. I was serious about that distracted-by-football thing.

Five years ago: I had been working at my current newspaper for about six months, and was thinking that the decision to change jobs was a bad one. It’s gotten better.

Five songs I know all the words to: “U.S. Blues.” “Roses Are Free.” “Sweet Jane.” “Buckeye Battle Cry” (there’s that football thing again). “Hello Dolly” (which I can sing in a Louis Armstrong voice that sounds so close to the real thing it’s scary…). There are many others.

Five snacks I enjoy: Hostess Cupcakes. Doritos. White Castles (five or fewer is a snack; six or more counts as a meal). Apple slices dredged through a tub of that peanut-butter caramel dip. A big bowl of fresh pineapple.

Five things I’d do with $100 million : Be debt free. Ensure that my sister and brother-in-law have enough money that the don’t have to worry about sending my neice and nephews to Florida’s horrible public schools. Give my mother-in-law the opportunity to retire. Do something nice for my parents (but, Jesus, they already have everything…). Buy The Wife and me a nice house in the hills near Athens, Ohio.

Five places I’d run away to: Hanalei, Kauai, Hawaii. Northern Wisconsin. Aspen, Colorado. Any Grateful Dead tour. Athens, Ohio (see above).

Five things I would never wear: Piercings. Mesh tank tops (think Right Said Fred). University of Michigan apparel. Speedo bathing suits. Matching white belts and shoes.

Five favorite television shows (tough, because I don’t get to see much TV while I work so many evenings. So this is kind of an all-time list.) Northern Exposure. Duckman. Buffy the Vampire Slayer. Any programming that appears on The Weather Channel. The Simpsons.

Five favorite toys: (current) Our computer (Anne, it totally counts!). My digital camera. My official Wilson NCAA football. My skis. My iPod (which, technically, I don’t actually own yet, although my birthday is coming in just under a month). (30 years ago) Mattel Football. Silly Putty. My Frisbees. That big vibrating football thing with the plastic players that rattled around. Our old Atari game system.

Five greatest joys: The Wife. Our cat. My family. My friends. Music.

Five people I’m tagging: Tough, because I don’t know enough other bloggers well enough to throw this at them … so I’m tagging Juan, HP, DD, Kewyson and B. Discuss.

me too.

To the guy who found Uncle Crappy after he did a Yahoo search last night for “I want to buy a fucking weather predicting owl” — hey, let me know if you find one. I mean, how cool would that be?